Trap rankings.
Provisional editorial placements. Read the artist’s profile for the music, career history and evidence behind the discussion.
- #1
ISOxo ↗
ISOxo represents a contemporary trap sensibility in which rhythmic tension, abrupt contrast and forceful sound design become the center of the artist identity.
- #2
RL Grime ↗
RL Grime’s position near the top of the trap board reflects an artist identity that extends from individual records to a larger curatorial world.
- #3
ROSSY ↗
ROSSY’s HEAVENS DOOR in 2023 gives her trap identity a clear early statement, supported by a Brownies & Lemonade tour and a subsequent release history that includes RUSH on Monstercat.
- #4
Knock2 ↗
Knock2 brings a highly direct rhythmic identity to the space between bass house and trap.
- #5
FrostTop ↗
FrostTop’s Long Beach-rooted project approaches trap through intricate drums and a forceful production identity.
- #6
RemK ↗
RemK’s history connects a Southern California background with a focused place in the newer trap network.
- #7
JAWNS ↗
JAWNS occupies a specialist position on the trap chart, with a catalog that can be followed through records including Wildstyle, Snakeyes and Escape.
- #8
LYNY ↗
LYNY’s production identity brings hip-hop and trap into contact with melodic writing and R&B influence.
- #9
Control Freak ↗
Control Freak’s chart identity is grounded in a continuing trap-facing catalog and a clear relationship to contemporary performance culture.
- #10
Pauline Herr ↗
Pauline Herr’s early solo work established authorship across production, writing and recording.
- #11
capshun ↗
capshun’s Logos EP in 2022 gives his production identity a substantial reference point, connecting trap, future bass and beat-oriented influences across a larger release.
- #12
Baauer ↗
Baauer’s career has an unusually visible starting reference in Harlem Shake, but his production identity draws on a broader relationship between hip-hop, UK dance music and sampling.
- #13
Flosstradamus ↗
Flosstradamus’s history connects Chicago club culture to a recognizable festival-trap language.
- #14
NGHTMRE ↗
NGHTMRE works at the intersection of trap, heavy bass and song-driven electronic production.
- #15
Party Favor ↗
Party Favor’s Bap U in 2014 provides an early breakthrough reference, while RESET marks a later attempt to give the project a broader personal and musical frame.
- #16
JSTJR ↗
JSTJR’s current self-description places rave-oriented techno at the center of a project with a broader electronic history.
- #17
YehMe2 ↗
YehMe2 is Josh Young’s solo project following his role in Flosstradamus, giving the artist a clear history before the current name.
- #18
- #19
TYNAN ↗
TYNAN’s identity centers on dark trap and a deliberate appetite for unusual production choices.
- #20
Eliminate ↗
Eliminate’s 2018 connection to Disciple and the subsequent Cyber Whale and Dead Sea EPs give the career a clear production history.
- #21
Viperactive ↗
Viperactive’s release history connects a contemporary bass identity with vocal and remix-oriented formats.
- #22
WINK ↗
WINK’s Bay Area project is represented by a distinct contemporary catalog, including STIRCRAZY MIXTAPE and Drown.
- #23
Acyan ↗
Acyan’s Fort Collins connection places the project within a regional US bass and trap context.
- #24
Herobust ↗
Herobust is Hayden Kramer’s Atlanta-rooted bass project, with a recorded history that places the artist within the overlap between trap and heavier electronic production.
- #25
Hekler ↗
Hekler’s production identity draws on hip-hop, ambient music and heavy bass, giving the project a broader compositional frame than a single genre label suggests.
- #26
Gladez ↗
Gladez’s Las Vegas connection places the project within a regional electronic scene, while Last One Standing, Steady and Falak provide a clear sequence of later releases.
- #27
YOOKiE ↗
YOOKiE is the partnership of brothers Anthony and Chris Alfaro, giving the bass project a clear collaborative foundation.
- #28
Hex Cougar ↗
Hex Cougar’s Under the Light of a Dying Moon in 2020 gives the project a clear conceptual reference, accompanied by a short film that extended the music into a larger visual setting.
- #29
Runnit ↗
Runnit’s Baltimore connection gives the project a regional context within the trap field, while Below the Breakers provides an EP-scale reference beyond the individual singles.
- #30
sumthin sumthin ↗
sumthin sumthin’s musical background began with instruments and bands before Conrad Woodul moved into electronic production.