Dubstep rankings.
Provisional editorial placements. Read the artist’s profile for the music, career history and evidence behind the discussion.
- #1
Subtronics ↗
Subtronics makes detailed bass production part of an immediately recognizable public identity.
- #2
Effin ↗
Effin’s distinction is the collision between nostalgic source material and contemporary bass construction.
- #3
Crankdat ↗
Crankdat’s place in the bass field is grounded in a substantial run of released work and a highly direct performance identity.
- #4
Wooli ↗
Wooli’s identity depends on the tension between melodic openness and the dense physicality of dubstep and riddim.
- #5
Ray Volpe ↗
Ray Volpe’s breakthrough around Laserbeam gives his career a clear reference point, but the broader identity includes both heavy production and his own vocals.
- #6
SVDDEN DEATH ↗
SVDDEN DEATH has developed heavy dubstep into a complete theatrical language.
- #7
LEVEL UP ↗
LEVEL UP brings a battle-DJ foundation into contemporary dubstep.
- #8
ALLEYCVT ↗
ALLEYCVT’s strongest distinguishing feature is the integration of her vocal identity with heavy bass production.
- #9
Sullivan King ↗
Sullivan King makes the connection between rock and dubstep tangible through his own roles as guitarist, vocalist, songwriter and producer.
- #10
Space Laces ↗
Space Laces is a particularly clear case of a producer whose reputation rests on the construction of the music itself.
- #11
Kompany ↗
Kompany’s background in sound design helps explain the project’s unusually explicit relationship to production craft.
- #12
Kai Wachi ↗
Kai Wachi combines a heavy-bass identity with a pronounced interest in emotionally driven songs and hip-hop-inflected production.
- #13
LAYZ ↗
LAYZ has built a clearly focused role within contemporary heavy dubstep.
- #14
Boogie T ↗
Boogie T’s identity brings instrumental musicianship and a funk sensibility into dubstep and riddim.
- #15
PEEKABOO ↗
PEEKABOO’s identity centers on groove and the expressive use of space within bass music.
- #16
Riot Ten ↗
Riot Ten’s career has a clear turning point in Rail Breaker, following the Sullivan King collaboration Fuck It and his arrival at Dim Mak in 2017.
- #17
Dirt Monkey ↗
Dirt Monkey’s defining trait is the portability of a production identity across dubstep, house and drum & bass.
- #18
Bear Grillz ↗
Bear Grillz’s bass-chart identity is built around a sustained catalog and an immediately recognizable public character.
- #19
TVBOO ↗
TVBOO combines distorted bass production with a public personality that is central to the project’s appeal.
- #20
ATLiens ↗
ATLiens connects an extraterrestrial visual identity with a deliberately unsettling bass-music world.
- #21
YDG ↗
YDG’s identity moves between dubstep and experimental bass, with remixes providing an important route into a wider audience.
- #22
GorillaT ↗
GorillaT’s position on the bass chart is grounded in a developing body of released work, with Inner Mind providing a multi-track chapter beyond the project’s individual singles.
- #23
Cyclops ↗
Cyclops places experimental texture inside the physical framework of heavy bass.
- #24
Vastive ↗
Vastive’s background as a metal-band vocalist gives the project’s bass-and-metal combination a concrete personal foundation.
- #25
VLCN ↗
VLCN’s history shows an increasingly explicit connection between heavy production and melodic songwriting.
- #26
Hairitage ↗
Hairitage’s bass-chart identity is anchored in a sustained production catalog and a visible collaborative network.
- #27
Emorfik ↗
Emorfik’s position belongs to the contemporary bass generation whose identity develops through a direct relationship between recorded output and performance culture.
- #28
Perry Wayne ↗
Perry Wayne’s history is defined by a clear network of bass labels and collaborators.
- #29
Calcium ↗
Calcium’s identity is rooted in the specialist vocabulary of dubstep and riddim.
- #30
RZRKT ↗
RZRKT combines melodic material with heavy bass through a deliberately hybrid production identity.