01
Marshmello
America’s largest active electronic crossover platform56.1MMonthly listeners2026-09-08
Top 30 Provisional edition
EDM30 · UNITED STATES · POSITION REVIEW 2026-09-24
US DJ
Top 30.
Who leads. Who’s rising. What backs it up.
Ranking U.S.-born DJs and electronic artists across 11 boards. Compare audience reach, release activity, label credits, collaborations and remixes. Open any artist to see the sources and editorial case behind their placement.
↓01 · Explore the index
EDM
Major U.S. crossover
Position review · 2026-09-2430 power-ranking placements · editorial edition
Review standardPower rankings reflect sustained audience scale, live demand, current releases and standing within the genre. These are provisional editorial placements; eligibility and source conflicts are still being reviewed. Short-term momentum is a separate diagnostic and does not determine the order.
30 results · select an artist to inspect evidence
02
The Chainsmokers
Mass-pop recognition with a fresh electronic cycle52.7MMonthly listeners2026-09-08
03
Skrillex
Highest producer influence with renewed release velocity21.6MMonthly listeners2026-09-08
04
Steve Aoki
Relentless global reach with current U.S. demand17.9MMonthly listeners2026-09-08
05
John Summit
Fastest-rising U.S. major-DJ ticket force12.3MMonthly listeners2026-09-08
06
ILLENIUM
Arena-scale American electronic loyalty9.8MMonthly listeners2026-09-08
07
Kaskade
Current chart power on top of arena-scale trust5.3MMonthly listeners2026-09-08
08
Subtronics
Bass culture converting to major-DJ scale2.6MMonthly listeners2026-09-08
09
Seven Lions
Owned genre ecosystem with major-event demand1.6MMonthly listeners2026-09-08
10
ISOxo
Next-generation American major-DJ breakout840.6KMonthly listeners2026-09-08
11
Porter Robinson
album-scale authorship, arena demand, and a deeply committed U.S. fan base2.5MMonthly listeners2026-09-08
12
Diplo
cross-format hitmaking, festival ubiquity, and durable label-network leverage44.7MMonthly listeners2026-09-08
13
ODESZA
cinematic live production and proven destination-event ticket demand5.4MMonthly listeners2026-09-08
14
Gryffin
pop-dance collaborations, melodic accessibility, and dependable national touring8.9MMonthly listeners2026-09-08
15
SLANDER
emotional-bass crossover records and large-scale festival conversion4.8MMonthly listeners2026-09-08
16
Dillon Francis
recognizable personality, social reach, and enduring multi-format festival demand2.6MMonthly listeners2026-09-08
17
NGHTMRE
bass-and-trap crossover power backed by Gud Vibrations infrastructure1.9MMonthly listeners2026-09-08
18
Knock2
next-generation crowd intensity and fast-rising large-room culture1.1MMonthly listeners2026-09-08
19
Louis The Child
festival-pop familiarity, collaborative reach, and broad youth-audience recognition2MMonthly listeners2026-09-08
20
Deorro
Latin crossover strength and a durable high-energy mainstage catalog8MMonthly listeners2026-09-08
21
KSHMR
cinematic production identity, global catalog reach, and Dharma ecosystem leverage22
Audien
progressive-house songwriting, vocal-record durability, and loyal U.S. touring demand1.5MMonthly listeners2026-09-08
23
DJ Diesel
unmatched celebrity reach converted into sustained bass-festival bookings24
Two Friends
Big Bootie mix virality converted into growing headline-room demand1.6MMonthly listeners2026-09-08
25
Cheat Codes
high-volume pop-dance releases and a large collaboration-driven audience6.6MMonthly listeners2026-09-08
26
Elephante
melodic pop production, live-musician identity, and expanding crossover reach384.1KMonthly listeners2026-09-08
27
3LAU
established dance catalog, headline history, and independent platform leverage876.8KMonthly listeners2026-09-08
28
Jauz
bass-house and dubstep versatility with durable flagship-festival recognition957.3KMonthly listeners2026-09-08
29
Kayzo
rock-and-bass crossover identity with proven large-room fan loyalty802.6KMonthly listeners2026-09-08
30
TELYKast
four U.S. Dance Radio number ones, 200M+ reported streams, a fresh Aug. 28 release, and seven surfaced dates converting progressive-house songwriting into durable national demand959.3KMonthly listeners2026-09-08
Publication rulesWho qualifies and what changes a rank
Each criterion is reviewed separately. Artist profiles distinguish dated measurements from editorial judgments. Confirmed eligibility failures are removed from the published chart.
01U.S.-bornBirth in the United States is required.
02Genre-firstThe board genre must be the project’s primary identity.
03Currently activeA release within six months, regular official social activity, and real bookings.
04Audience floorAt least 2,000 Spotify monthly listeners on primary boards.
05Scene supportDocumented DJ, label, editorial, press, chart, or crowd evidence.
06Movement gateArtist-owned + independent corroboration, with two material signal changes.
02 · Revision recordRanking
Ranking
changes.
A rank changes only after measurable evidence clears the published movement standard. Every revision includes a stated reason, observation date, and supporting sources.
Every position reviewed
The position review covers all 11 boards and 300 artists. Each position now has a record connecting eligibility, catalog references, audience dates and editorial coverage.
Explore the position audit ↗Eligibility corrections
CUTDWN and yetep are withdrawn under the U.S.-birth rule. Their biographies identify Manchester and Seoul birthplaces respectively. SOHMI remains eligible based on her documented New Jersey birthplace.
Hard Dance and Melodic · 29 ranked artists eachDates that mean something
Audience observations retain their actual capture dates. The short-window momentum calculation is a historical diagnostic, separate from the power-ranking order.
Source discovery and measured performance are reviewed separatelyPower is sustained.
Momentum is a signal.
This archived calculation covers 189 artists during 2026-09-06–2026-09-08. The power-ranking boards retain their editorial order. This diagnostic compares short-term audience change and recent credit activity; it does not assign power-ranking placements.
Percent change in Spotify monthly listeners across closely matched captures, using the conservative lower bound of rounded displays.
Absolute listener change over the same window. Growth and gain use percentile standing among all qualifying artists, balancing proportional traction with scale.
Five points per distinct qualifying label release, collaboration or named remix in 90 days, capped at four works. Remix packages do not establish direct collaborations.
No neutral 50, midpoint uplift, or missing-weight redistribution. Complete audience pairs and a fresh identity-matched catalog are required.
Window, calculation and limits
Captures: 2026-09-06 to 2026-09-08, 47–51 hours apart per artist. Growth floor = 100 × (new audience lower bound / old audience upper bound − 1). Net gain floor = new lower bound − old upper bound. Both are converted to tie-adjusted percentiles in the same 189-artist cohort. Final score = 0.50 × growth percentile + 0.30 × gain percentile + 5 × min(qualifying works, 4), rounded once to one decimal place before ranking.
A negative change can still score above another artist’s larger decline. Rounded displays can obscure small changes; a score is an exact application of this published rule to recorded evidence, not an exact measurement of popularity. The window measures short-term momentum, not sustained hype. No annualized or forecast growth is used.
Catalogs must have been captured within 30 days, and audience observations within seven days of calculation. Zero credit points means zero qualifying works documented in that captured catalog. It does not prove the artist released nothing. Recognition uses the disclosed imprint and collaborator reference maintained with the source data.
Observed worldwide Spotify audience change over matched 47–51 hour captures, plus documented recognized release credits in 90 days. A short-window hype proxy, not overall popularity, U.S. ticket demand or artistic skill. The tracked roster and provisional birthplace eligibility remain separate from score calculation. Power-ranking placements are editorial judgments, separate from this short-term diagnostic.
Calculated 2026-09-09 · Source period ends 2026-09-08
Editorial power-ranking methodology
03 · MethodologyEditorial
Editorial
movement standard.
EDM30 measures live demand, current releases, audience growth, social velocity, platform reach, charts, DJ adoption, press, accolades, collaborations, and industry leverage. The weights below describe the editorial rubric. They are not evidence that a measured composite score has been calculated for each artist.
Movement standardDefault decision: retain the current rank
A change requires fresh artist-owned evidence, independent corroboration, and a material shift in at least two weighted categories—or a confirmed eligibility failure.
100-point model
Legacy editorial rubric.
Reach establishes scale. Velocity shows direction. The model rewards documented acceleration in U.S. audience, demand, and influence while limiting the effect of legacy catalogue size.
What the ranking can prove.
Birthplace is a separate fact
A U.S. home base, nationality tag or group formation location does not prove U.S. birth. Groups require member-level evidence. Unknown eligibility remains under review.
Missing is not zero
Missing social or streaming data cannot demote an artist. It also cannot prove an incumbent deserves to stay above a challenger. Incomplete positions remain provisional.
Momentum needs history
A large audience is reach, not growth. Comparisons require matching metrics, dated baselines and consistent windows. Profile URLs and release counts do not establish demand.
Scope stays honest
This is a tracked roster, not a census of every U.S.-born DJ. The power-ranking edition preserves the reviewed roster and editorial order. Short-window measurements do not establish overall market leadership.
04 · Source governanceEvidence
Explore the public data ↗
Evidence
register.
Explore the public data ↗Each daily record preserves the source, observation time, value, and confidence. Songstats and other analytics services are used for cross-platform corroboration and trend detection; direct platform data and artist-owned announcements remain the primary evidence.
2matching identifiers required
10%variance triggers a recheck
0aggregator-only rank changes
Releases · shows · tours · support slots
Artist-owned checkOriginal posts · views · shares · sound adoption
Direct + SongstatsArtist activity · mentions · announcement lift
X aggregated · Threads directMonthly listeners · release recency
Public snapshotCross-platform audience · playlists · charts · video · DJ support
Verified identity matchEditorial placement · charts · release recency
Public snapshotCatalog activity · playlist placement · chart movement
Direct + SongstatsPlays · repost velocity · label-channel support
Dated deltaOriginals · remixes · live sets · view velocity
Deduplicated deltaTracklist mentions · unique DJs · recency
Dated deltaRoom scale · billing · routing
Multi-source checkAirplay · Billboard · Beatport · DSP charts
Dated capturePlaylist adds · awards · verified honors
Named evidenceOriginal reporting · interviews · critic signal
Quality weightedMentions · content lift · viral moments
Public signalsCo-signs · collaborations · infrastructure
Direct + publicPublication standard: Every artist must satisfy the board’s U.S.-birth, primary-genre, release, activity, booking, audience, and scene-support requirements. Standard genre boards require a release within the prior six months, regular official social activity, current bookings, at least 2,000 Spotify monthly listeners, and documented support. Rising Stars adds a development-stage review. Analytics aggregators—including Songstats—are corroborating sources: identity matches are reviewed, duplicate signals are removed, conflicting values are preserved, and no rank moves on aggregator data alone. Unavailable data delays a decision rather than creating a penalty. Methodology revisions and corrections are dated and retained.Independent analysis. No paid placement. Artist relationships and conflicts require independent review; no commercial relationship may affect a position.