Stacey Pullen belongs to the second wave of Detroit techno and is also associated with the Kosmik Messenger name. Stacey Pullen’s captured release history contains 26 dated entries, spanning October 14, 1996 to July 10, 2026. The newest is “I Wanna Dance - Single,” a single. This establishes a documented sequence of published work; the earliest entry here is a catalog boundary, not a verified career debut.
Shared artist-credit lines appear on 3 captured entries. Mason Collective & Stacey Pullen is credited on 1 entry, including “It's Time - Single” (2019). Stacey Pullen & Mirko Loko is credited on 1 entry, including “Deux Elements - Single” (2011). Stacey Pullen & Nic Fanciulli is credited on 1 entry, including “Limmo - Single” (2010). A shared collection credit can represent a collaboration, remix or another credited role; it is not proof that every credited artist co-produced every track. The rights line on “I Wanna Dance - Single” reads “℗ 2026 Defected Records Limited dba DFTD.” An earlier reference, “Alive - EP” (2010), lists “℗ 2010.” Rights credits identify the release’s published ownership or licensing context. They do not by themselves establish an exclusive label signing, management relationship or personal endorsement.
Stacey Pullen’s captured release history contains 26 dated entries, spanning October 14, 1996 to July 10, 2026. The newest is “I Wanna Dance - Single,” a single. This establishes a documented sequence of published work; the earliest entry here is a catalog boundary, not a verified career debut.
The captured sequence covers 15 distinct release years. It includes 10 entries explicitly titled as singles, 8 EPs or other multi-track collections, 1 remix editions and 5 DJ mixes. These categories describe catalog packaging, not a count of unique compositions. Alternate versions and repackaged material can appear as separate releases.
“Alive - EP” (2010) provides a longer-form reference point, followed later in this sample by “M€$O - EP” (2024). Read alongside the singles, this suggests a catalog built around both individual tracks and larger listening projects.
Shared artist-credit lines appear on 3 captured entries. Mason Collective & Stacey Pullen is credited on 1 entry, including “It's Time - Single” (2019). Stacey Pullen & Mirko Loko is credited on 1 entry, including “Deux Elements - Single” (2011). Stacey Pullen & Nic Fanciulli is credited on 1 entry, including “Limmo - Single” (2010). A shared collection credit can represent a collaboration, remix or another credited role; it is not proof that every credited artist co-produced every track.
The rights line on “I Wanna Dance - Single” reads “℗ 2026 Defected Records Limited dba DFTD.” An earlier reference, “Alive - EP” (2010), lists “℗ 2010.” Rights credits identify the release’s published ownership or licensing context. They do not by themselves establish an exclusive label signing, management relationship or personal endorsement.
The sample contains 2 entries dated within the 365 days ending September 24, 2026, compared with 2 in the preceding 365-day interval. Recent reference points include “Side2Step - Single” (November 28, 2025); “I Wanna Dance - Single” (July 10, 2026). Counts reflect this captured catalog, so they should not be read as a complete production total or a measured change in popularity.
The latest dated work gives Stacey Pullen a current reference point, but the sample supports a narrower conclusion about output than about career acceleration. Watch how the next releases relate to “I Wanna Dance - Single”: continuation of the same sound or collaborators would suggest consolidation; a documented shift in collaborators or project format could signal a new phase.
This dossier uses public catalog records, artist and promoter profiles, and cited reporting. It is independent music analysis. Catalog history is a bounded sample: its first entry is not necessarily a debut, and alternate editions are not unique compositions. Shared credits do not establish each person’s production role. Release frequency does not measure popularity. Biographical statements retain their source attribution; editorial interpretation is labeled.