Maceo Plex is a project of Spain-based producer Eric Estornel. Its promoter biography describes an early focus on festival-oriented house. Maceo Plex’s captured release history contains 61 dated entries, spanning January 3, 2011 to August 28, 2026. The newest is “Monster EP - Single,” a single. This establishes a documented sequence of published work; the earliest entry here is a catalog boundary, not a verified career debut.
Shared artist-credit lines appear on 16 captured entries. Maceo Plex & AVNU (UK) is credited on 4 entries, including “Clickbait (This Ain't Hollywood) [DJ Tennis Remix] - Single” (2023). Adam Beyer & Maceo Plex is credited on 2 entries, including “Tomorrowland 2023: Adam Beyer & Maceo Plex at Freedom, Weekend 2 (DJ Mix)” (2023). Maceo Plex & Program2 is credited on 2 entries, including “Revision feat. Gio Santi - Single” (2021). A shared collection credit can represent a collaboration, remix or another credited role; it is not proof that every credited artist co-produced every track.
Maceo Plex’s captured release history contains 61 dated entries, spanning January 3, 2011 to August 28, 2026. The newest is “Monster EP - Single,” a single. This establishes a documented sequence of published work; the earliest entry here is a catalog boundary, not a verified career debut.
The captured sequence covers 15 distinct release years. It includes 42 entries explicitly titled as singles, 9 EPs or other multi-track collections, 2 remix editions and 7 DJ mixes. These categories describe catalog packaging, not a count of unique compositions. Alternate versions and repackaged material can appear as separate releases.
“Sweating Tears EP” (2011) provides a longer-form reference point, followed later in this sample by “93 (Video Album)” (2024). Read alongside the singles, this suggests a catalog built around both individual tracks and larger listening projects.
Shared artist-credit lines appear on 16 captured entries. Maceo Plex & AVNU (UK) is credited on 4 entries, including “Clickbait (This Ain't Hollywood) [DJ Tennis Remix] - Single” (2023). Adam Beyer & Maceo Plex is credited on 2 entries, including “Tomorrowland 2023: Adam Beyer & Maceo Plex at Freedom, Weekend 2 (DJ Mix)” (2023). Maceo Plex & Program2 is credited on 2 entries, including “Revision feat. Gio Santi - Single” (2021). A shared collection credit can represent a collaboration, remix or another credited role; it is not proof that every credited artist co-produced every track.
The rights line on “Monster EP - Single” reads “℗ 2026 Rekids Ltd.” An earlier reference, “Vibe Your Love - Single” (2011), lists “℗ 2011 Crosstown Rebels.” Rights credits identify the release’s published ownership or licensing context. They do not by themselves establish an exclusive label signing, management relationship or personal endorsement.
The sample contains 2 entries dated within the 365 days ending September 24, 2026, compared with 0 in the preceding 365-day interval. Recent reference points include “The Plan - Single” (July 24, 2026); “Monster EP - Single” (August 28, 2026). Counts reflect this captured catalog, so they should not be read as a complete production total or a measured change in popularity.
The latest dated work gives Maceo Plex a current reference point, but the sample supports a narrower conclusion about output than about career acceleration. Watch how the next releases relate to “Monster EP - Single”: continuation of the same sound or collaborators would suggest consolidation; a documented shift in collaborators or project format could signal a new phase.
Read the documented career evidence alongside this provisional editorial position.
This board considers club and underground standing alongside current output and performance demand.
EDM30 editorial placement
Chart review · 2026-09-24
Retain. The musician biography identifies Texas birth. The older automated Wikidata birthplace candidate conflicts with this account and is not used for eligibility.
This dossier uses public catalog records, artist and promoter profiles, and cited reporting. It is independent music analysis. Catalog history is a bounded sample: its first entry is not necessarily a debut, and alternate editions are not unique compositions. Shared credits do not establish each person’s production role. Release frequency does not measure popularity. Biographical statements retain their source attribution; editorial interpretation is labeled.