Avision is listed by Insomniac in Techno. Avision’s captured release history contains 61 dated entries, spanning March 21, 2016 to June 26, 2026. The newest is “This Time - Single,” a single. This establishes a documented sequence of published work; the earliest entry here is a catalog boundary, not a verified career debut. Shared artist-credit lines appear on 14 captured entries. Victor Calderone & AVISION is credited on 3 entries, including “Chemical - EP” (2023). AVISION & Xander is credited on 2 entries, including “Whatever - Single” (2023). Hot Since 82 & AVISION is credited on 1 entry, including “In The Air - Single” (2026). A shared collection credit can represent a collaboration, remix or another credited role; it is not proof that every credited artist co-produced every track.
The rights line on “This Time - Single” reads “℗ 2026 Anthony Cardinale.” An earlier reference, “Conception - Single” (2016), lists “℗ 2016 Waveform Recordings.” Rights credits identify the release’s published ownership or licensing context. They do not by themselves establish an exclusive label signing, management relationship or personal endorsement. Spotify displayed 30.7K monthly listeners on September 8, 2026. This is a platform audience snapshot, not a total fan count. The sample contains 14 entries dated within the 365 days ending September 24, 2026, compared with 4 in the preceding 365-day interval. Recent reference points include “Out of Control” (April 24, 2026); “Out of Control - EP” (April 24, 2026); “This Time - Single” (June 26, 2026). Counts reflect this captured catalog, so they should not be read as a complete production total or a measured change in popularity.
Avision’s captured release history contains 61 dated entries, spanning March 21, 2016 to June 26, 2026. The newest is “This Time - Single,” a single. This establishes a documented sequence of published work; the earliest entry here is a catalog boundary, not a verified career debut.
The captured sequence covers 11 distinct release years. It includes 34 entries explicitly titled as singles, 18 EPs or other multi-track collections, 2 remix editions and 5 DJ mixes. These categories describe catalog packaging, not a count of unique compositions. Alternate versions and repackaged material can appear as separate releases.
“Freak Zone - EP” (2016) provides a longer-form reference point, followed later in this sample by “Out of Control - EP” (2026). Read alongside the singles, this suggests a catalog built around both individual tracks and larger listening projects.
Shared artist-credit lines appear on 14 captured entries. Victor Calderone & AVISION is credited on 3 entries, including “Chemical - EP” (2023). AVISION & Xander is credited on 2 entries, including “Whatever - Single” (2023). Hot Since 82 & AVISION is credited on 1 entry, including “In The Air - Single” (2026). A shared collection credit can represent a collaboration, remix or another credited role; it is not proof that every credited artist co-produced every track.
The rights line on “This Time - Single” reads “℗ 2026 Anthony Cardinale.” An earlier reference, “Conception - Single” (2016), lists “℗ 2016 Waveform Recordings.” Rights credits identify the release’s published ownership or licensing context. They do not by themselves establish an exclusive label signing, management relationship or personal endorsement.
The sample contains 14 entries dated within the 365 days ending September 24, 2026, compared with 4 in the preceding 365-day interval. Recent reference points include “Out of Control” (April 24, 2026); “Out of Control - EP” (April 24, 2026); “This Time - Single” (June 26, 2026). Counts reflect this captured catalog, so they should not be read as a complete production total or a measured change in popularity.
Avision has several recent catalog entries to evaluate as a connected release cycle. The next meaningful test is whether attention persists across subsequent releases, rather than concentrating on one title. Repeat listener measurements, independent DJ support and comparable live-demand evidence would distinguish sustained scene traction from release frequency alone.
This dossier uses public catalog records, artist and promoter profiles, and cited reporting. It is independent music analysis. Catalog history is a bounded sample: its first entry is not necessarily a debut, and alternate editions are not unique compositions. Shared credits do not establish each person’s production role. Release frequency does not measure popularity. Biographical statements retain their source attribution; editorial interpretation is labeled.