The artist’s public profile lists New York, US as its location. Pulsatorz’s captured release history contains 18 dated entries, spanning October 16, 2012 to April 7, 2022. The newest is “BMR - Single,” a single credited to Michael Phase & Pulsatorz. This establishes a documented sequence of published work; the earliest entry here is a catalog boundary, not a verified career debut. Shared artist-credit lines appear on 4 captured entries. Michael Phase & Pulsatorz is credited on 1 entry, including “BMR - Single” (2022). Darksiderz & Pulsatorz is credited on 1 entry, including “Left Hand Path - Single” (2021). Pulsatorz & Reactor is credited on 1 entry, including “The Rhythm - Single” (2014). A shared collection credit can represent a collaboration, remix or another credited role; it is not proof that every credited artist co-produced every track.
The rights line on “BMR - Single” reads “℗ 2022 Speed House Movement.” An earlier reference, “Aliens - Single” (2012), lists “℗ 2012 Hard Dance Nation.” Rights credits identify the release’s published ownership or licensing context. They do not by themselves establish an exclusive label signing, management relationship or personal endorsement. Spotify displayed 809 monthly listeners on September 8, 2026. This is a platform audience snapshot, not a total fan count. The sample contains 0 entries dated within the 365 days ending September 24, 2026, compared with 0 in the preceding 365-day interval. The latest dated reference remains “BMR - Single” (April 7, 2022). Counts reflect this captured catalog, so they should not be read as a complete production total or a measured change in popularity.
Pulsatorz’s captured release history contains 18 dated entries, spanning October 16, 2012 to April 7, 2022. The newest is “BMR - Single,” a single credited to Michael Phase & Pulsatorz. This establishes a documented sequence of published work; the earliest entry here is a catalog boundary, not a verified career debut.
The captured sequence covers 9 distinct release years. It includes 16 entries explicitly titled as singles, 1 EPs or other multi-track collections, 1 remix editions and 0 DJ mixes. These categories describe catalog packaging, not a count of unique compositions. Alternate versions and repackaged material can appear as separate releases.
“Triad - EP” (2016) provides a longer-form reference point. Read alongside the singles, this suggests a catalog built around both individual tracks and larger listening projects.
Shared artist-credit lines appear on 4 captured entries. Michael Phase & Pulsatorz is credited on 1 entry, including “BMR - Single” (2022). Darksiderz & Pulsatorz is credited on 1 entry, including “Left Hand Path - Single” (2021). Pulsatorz & Reactor is credited on 1 entry, including “The Rhythm - Single” (2014). A shared collection credit can represent a collaboration, remix or another credited role; it is not proof that every credited artist co-produced every track.
The rights line on “BMR - Single” reads “℗ 2022 Speed House Movement.” An earlier reference, “Aliens - Single” (2012), lists “℗ 2012 Hard Dance Nation.” Rights credits identify the release’s published ownership or licensing context. They do not by themselves establish an exclusive label signing, management relationship or personal endorsement.
The sample contains 0 entries dated within the 365 days ending September 24, 2026, compared with 0 in the preceding 365-day interval. The latest dated reference remains “BMR - Single” (April 7, 2022). Counts reflect this captured catalog, so they should not be read as a complete production total or a measured change in popularity.
For Pulsatorz, this catalog is most useful as historical context. A later confirmed release, current performance record or sustained audience series would materially change the trajectory assessment. An older catalog endpoint is not evidence of retirement or inactivity.
This dossier uses public catalog records, artist and promoter profiles, and cited reporting. It is independent music analysis. Catalog history is a bounded sample: its first entry is not necessarily a debut, and alternate editions are not unique compositions. Shared credits do not establish each person’s production role. Release frequency does not measure popularity. Biographical statements retain their source attribution; editorial interpretation is labeled.