Odetari’s captured release history contains 68 dated entries, spanning March 15, 2023 to September 9, 2026. The newest is “Party Monster - Single,” a single credited to BEYOND BORDERs, Hatsune Miku, Odetari & SatapanP. This establishes a documented sequence of published work; the earliest entry here is a catalog boundary, not a verified career debut. Shared artist-credit lines appear on 26 captured entries. Odetari & 9lives is credited on 4 entries, including “I LOVE YOU HOE - Single” (2023). Odetari & Ayesha Erotica is credited on 2 entries, including “BREAK A NECK (w/ Ayesha Erotica) - Single” (2024). BEYOND BORDERs, Hatsune Miku, Odetari & SatapanP is credited on 1 entry, including “Party Monster - Single” (2026). A shared collection credit can represent a collaboration, remix or another credited role; it is not proof that every credited artist co-produced every track.
The rights line on “Party Monster - Single” reads “℗ 2026 DWANGO Co., Ltd. / Nebula17.” An earlier reference, “GOOD LOYAL THOTS - Single” (2023), lists “℗ 2023 Odetari under exclusive license to Artist Partner Group, Inc..” Rights credits identify the release’s published ownership or licensing context. They do not by themselves establish an exclusive label signing, management relationship or personal endorsement. Spotify displayed 7.2M monthly listeners on September 8, 2026. This is a platform audience snapshot, not a total fan count. The sample contains 13 entries dated within the 365 days ending September 24, 2026, compared with 15 in the preceding 365-day interval. Recent reference points include “ALL THE SWEETS // PULSAR STAR - Single” (July 24, 2026); “PUSH THE CPU - Single” (August 28, 2026); “Party Monster - Single” (September 9, 2026). Counts reflect this captured catalog, so they should not be read as a complete production total or a measured change in popularity.
Odetari’s captured release history contains 68 dated entries, spanning March 15, 2023 to September 9, 2026. The newest is “Party Monster - Single,” a single credited to BEYOND BORDERs, Hatsune Miku, Odetari & SatapanP. This establishes a documented sequence of published work; the earliest entry here is a catalog boundary, not a verified career debut.
The captured sequence covers 4 distinct release years. It includes 61 entries explicitly titled as singles, 4 EPs or other multi-track collections, 0 remix editions and 0 DJ mixes. These categories describe catalog packaging, not a count of unique compositions. Alternate versions and repackaged material can appear as separate releases.
“XIII SORROWS” (2023) provides a longer-form reference point, followed later in this sample by “VARIA 0.5” (2025). Read alongside the singles, this suggests a catalog built around both individual tracks and larger listening projects.
Shared artist-credit lines appear on 26 captured entries. Odetari & 9lives is credited on 4 entries, including “I LOVE YOU HOE - Single” (2023). Odetari & Ayesha Erotica is credited on 2 entries, including “BREAK A NECK (w/ Ayesha Erotica) - Single” (2024). BEYOND BORDERs, Hatsune Miku, Odetari & SatapanP is credited on 1 entry, including “Party Monster - Single” (2026). A shared collection credit can represent a collaboration, remix or another credited role; it is not proof that every credited artist co-produced every track.
The rights line on “Party Monster - Single” reads “℗ 2026 DWANGO Co., Ltd. / Nebula17.” An earlier reference, “GOOD LOYAL THOTS - Single” (2023), lists “℗ 2023 Odetari under exclusive license to Artist Partner Group, Inc..” Rights credits identify the release’s published ownership or licensing context. They do not by themselves establish an exclusive label signing, management relationship or personal endorsement.
The sample contains 13 entries dated within the 365 days ending September 24, 2026, compared with 15 in the preceding 365-day interval. Recent reference points include “ALL THE SWEETS // PULSAR STAR - Single” (July 24, 2026); “PUSH THE CPU - Single” (August 28, 2026); “Party Monster - Single” (September 9, 2026). Counts reflect this captured catalog, so they should not be read as a complete production total or a measured change in popularity.
Odetari has several recent catalog entries to evaluate as a connected release cycle. The next meaningful test is whether attention persists across subsequent releases, rather than concentrating on one title. Repeat listener measurements, independent DJ support and comparable live-demand evidence would distinguish sustained scene traction from release frequency alone.
This dossier uses public catalog records, artist and promoter profiles, and cited reporting. It is independent music analysis. Catalog history is a bounded sample: its first entry is not necessarily a debut, and alternate editions are not unique compositions. Shared credits do not establish each person’s production role. Release frequency does not measure popularity. Biographical statements retain their source attribution; editorial interpretation is labeled.