Anime Expo identifies NTXC as an electronic project active since 2015, with DJ sets combining hardstyle, techno and bass music. NTXC’s captured release history contains 9 dated entries, spanning May 20, 2019 to June 9, 2023. The newest is “Nothin' Left - Single,” a single credited to Mike Enemy, Ntxc & Dirty Workz. This establishes a documented sequence of published work; the earliest entry here is a catalog boundary, not a verified career debut.
Shared artist-credit lines appear on 5 captured entries. Mike Enemy, Ntxc & Dirty Workz is credited on 1 entry, including “Nothin' Left - Single” (2023). Darksiderz & Ntxc is credited on 1 entry, including “Reload - Single” (2023). Ntxc & TALON is credited on 1 entry, including “Bootyclap - Single” (2022). A shared collection credit can represent a collaboration, remix or another credited role; it is not proof that every credited artist co-produced every track. The rights line on “Nothin' Left - Single” reads “℗ 2023 DWX Copyright Free / DWX BV.” An earlier reference, “IDGAF - Single” (2019), lists “℗ 2019 Harsh Records.” Rights credits identify the release’s published ownership or licensing context. They do not by themselves establish an exclusive label signing, management relationship or personal endorsement.
NTXC’s captured release history contains 9 dated entries, spanning May 20, 2019 to June 9, 2023. The newest is “Nothin' Left - Single,” a single credited to Mike Enemy, Ntxc & Dirty Workz. This establishes a documented sequence of published work; the earliest entry here is a catalog boundary, not a verified career debut.
The captured sequence covers 4 distinct release years. It includes 9 entries explicitly titled as singles, 0 EPs or other multi-track collections, 0 remix editions and 0 DJ mixes. These categories describe catalog packaging, not a count of unique compositions. Alternate versions and repackaged material can appear as separate releases.
The captured history is oriented toward individual releases rather than clearly labeled longer projects. For NTXC, the useful comparison is how successive tracks develop a recognizable identity and whether listeners return after each release. This is an interpretation of the available release structure, not evidence that the artist has never made an album.
Shared artist-credit lines appear on 5 captured entries. Mike Enemy, Ntxc & Dirty Workz is credited on 1 entry, including “Nothin' Left - Single” (2023). Darksiderz & Ntxc is credited on 1 entry, including “Reload - Single” (2023). Ntxc & TALON is credited on 1 entry, including “Bootyclap - Single” (2022). A shared collection credit can represent a collaboration, remix or another credited role; it is not proof that every credited artist co-produced every track.
The rights line on “Nothin' Left - Single” reads “℗ 2023 DWX Copyright Free / DWX BV.” An earlier reference, “IDGAF - Single” (2019), lists “℗ 2019 Harsh Records.” Rights credits identify the release’s published ownership or licensing context. They do not by themselves establish an exclusive label signing, management relationship or personal endorsement.
The sample contains 0 entries dated within the 365 days ending September 24, 2026, compared with 0 in the preceding 365-day interval. The latest dated reference remains “Nothin' Left - Single” (June 9, 2023). Counts reflect this captured catalog, so they should not be read as a complete production total or a measured change in popularity.
For NTXC, this catalog is most useful as historical context. A later confirmed release, current performance record or sustained audience series would materially change the trajectory assessment. An older catalog endpoint is not evidence of retirement or inactivity.
This dossier uses public catalog records, artist and promoter profiles, and cited reporting. It is independent music analysis. Catalog history is a bounded sample: its first entry is not necessarily a debut, and alternate editions are not unique compositions. Shared credits do not establish each person’s production role. Release frequency does not measure popularity. Biographical statements retain their source attribution; editorial interpretation is labeled.