Moore Kismet is listed by Insomniac in Dubstep. The artist’s public profile lists Los Angeles, California, US as its location. Moore Kismet’s captured release history contains 57 dated entries, spanning September 11, 2018 to August 28, 2026. The newest is “WHEN I TALK! (feat. Chuck Sutton) - Single,” a single. This establishes a documented sequence of published work; the earliest entry here is a catalog boundary, not a verified career debut.
Shared artist-credit lines appear on 15 captured entries. WHIPPED CREAM & Moore Kismet is credited on 3 entries, including “Hold Up (Remixes) [feat. Big Freedia & UNIIQU3] - Single” (2022). Moore Kismet, Lunnari & kyva is credited on 1 entry, including “BLUE2TH! - Single” (2025). Moore Kismet & Arya is credited on 1 entry, including “need2know - Single” (2025). A shared collection credit can represent a collaboration, remix or another credited role; it is not proof that every credited artist co-produced every track. The rights line on “WHEN I TALK! (feat. Chuck Sutton) - Single” reads “℗ 2026 Dome of Doom Records.” An earlier reference, “Void - Single” (2018), lists “℗ 2018 Moore Kismet.” Rights credits identify the release’s published ownership or licensing context. They do not by themselves establish an exclusive label signing, management relationship or personal endorsement.
Moore Kismet’s captured release history contains 57 dated entries, spanning September 11, 2018 to August 28, 2026. The newest is “WHEN I TALK! (feat. Chuck Sutton) - Single,” a single. This establishes a documented sequence of published work; the earliest entry here is a catalog boundary, not a verified career debut.
The captured sequence covers 9 distinct release years. It includes 41 entries explicitly titled as singles, 7 EPs or other multi-track collections, 3 remix editions and 5 DJ mixes. These categories describe catalog packaging, not a count of unique compositions. Alternate versions and repackaged material can appear as separate releases.
“Character - EP” (2019) provides a longer-form reference point, followed later in this sample by “SATURATE YOUR WORLD!” (2025). Read alongside the singles, this suggests a catalog built around both individual tracks and larger listening projects.
Shared artist-credit lines appear on 15 captured entries. WHIPPED CREAM & Moore Kismet is credited on 3 entries, including “Hold Up (Remixes) [feat. Big Freedia & UNIIQU3] - Single” (2022). Moore Kismet, Lunnari & kyva is credited on 1 entry, including “BLUE2TH! - Single” (2025). Moore Kismet & Arya is credited on 1 entry, including “need2know - Single” (2025). A shared collection credit can represent a collaboration, remix or another credited role; it is not proof that every credited artist co-produced every track.
The rights line on “WHEN I TALK! (feat. Chuck Sutton) - Single” reads “℗ 2026 Dome of Doom Records.” An earlier reference, “Void - Single” (2018), lists “℗ 2018 Moore Kismet.” Rights credits identify the release’s published ownership or licensing context. They do not by themselves establish an exclusive label signing, management relationship or personal endorsement.
The sample contains 7 entries dated within the 365 days ending September 24, 2026, compared with 7 in the preceding 365-day interval. Recent reference points include “A RESTORATIVE CHANCE. - Single” (February 23, 2026); “I'M YOUR FAVORITE! - Single” (July 17, 2026); “WHEN I TALK! (feat. Chuck Sutton) - Single” (August 28, 2026). Counts reflect this captured catalog, so they should not be read as a complete production total or a measured change in popularity.
Moore Kismet has several recent catalog entries to evaluate as a connected release cycle. The next meaningful test is whether attention persists across subsequent releases, rather than concentrating on one title. Repeat listener measurements, independent DJ support and comparable live-demand evidence would distinguish sustained scene traction from release frequency alone.
This dossier uses public catalog records, artist and promoter profiles, and cited reporting. It is independent music analysis. Catalog history is a bounded sample: its first entry is not necessarily a debut, and alternate editions are not unique compositions. Shared credits do not establish each person’s production role. Release frequency does not measure popularity. Biographical statements retain their source attribution; editorial interpretation is labeled.