Artist profile · EDM30 editorial

LIONE

Biography, musical identity, release history and the context behind the chart.

Artist dossier · public-source analysis

The artist. The work. The case.

1 min read · Updated Sep 24, 2026

EDM30 assessment

The artist’s public profile lists Los Angeles, US as its location. Spotify displayed 88.9K monthly listeners on September 8, 2026. This is a platform audience snapshot, not a total fan count. LIONE’s SoundCloud profile listed 20 tracks on September 8, 2026. The artist’s channel is linked here for listening.

The strongest supported account of LIONE in this edition is the artist and scene record cited here. A dated sequence of releases and independent reception would support a more precise account of career development.

01 · Background & formation
Documented record

The artist’s public profile lists Los Angeles, US as its location.

02 · Audience & reach
Documented record

Spotify displayed 88.9K monthly listeners on September 8, 2026. This is a platform audience snapshot, not a total fan count.

Documented record

LIONE’s SoundCloud profile listed 20 tracks on September 8, 2026. The artist’s channel is linked here for listening.

03 · Analyst outlook
Analytical judgment

The strongest supported account of LIONE in this edition is the artist and scene record cited here. A dated sequence of releases and independent reception would support a more precise account of career development.

Chart standing · #21 in Melodic

Read the documented career evidence alongside this provisional editorial position.

This board considers melodic production, songwriting, current records and live audience demand.

EDM30 editorial placement

Chart review · 2026-09-24

Retain provisionally; no automatic movement from incomplete or historical measurements.

Ranking basis: EDM30 editorial assessment. Audience reference: 88.9K Spotify monthly listeners, captured 2026-09-08.

Review the position’s source record ↗
Sources & analytical limits

This dossier uses public catalog records, artist and promoter profiles, and cited reporting. It is independent music analysis. Catalog history is a bounded sample: its first entry is not necessarily a debut, and alternate editions are not unique compositions. Shared credits do not establish each person’s production role. Release frequency does not measure popularity. Biographical statements retain their source attribution; editorial interpretation is labeled.