Levity is an electronic trio from Chicago working in dubstep. Levity’s captured release history contains 22 dated entries, spanning June 13, 2021 to September 2, 2026. The newest is “Nobody Can Stop Richard Finger (Levity Remix) - Single,” a remix edition credited to Richard Finger & Levity. This establishes a documented sequence of published work; the earliest entry here is a catalog boundary, not a verified career debut.
Shared artist-credit lines appear on 9 captured entries. Richard Finger & Levity is credited on 1 entry, including “Nobody Can Stop Richard Finger (Levity Remix) - Single” (2026). GRiZ & Levity is credited on 1 entry, including “Pop Off - Single” (2026). Levity & NITTI is credited on 1 entry, including “Like This - Single” (2025). A shared collection credit can represent a collaboration, remix or another credited role; it is not proof that every credited artist co-produced every track. The rights line on “Nobody Can Stop Richard Finger (Levity Remix) - Single” reads “℗ 2026 Deadbeats.” An earlier reference, “Paradise - Single” (2021), lists “℗ 2021 Electric Hawk Records.” Rights credits identify the release’s published ownership or licensing context. They do not by themselves establish an exclusive label signing, management relationship or personal endorsement.
Levity’s captured release history contains 22 dated entries, spanning June 13, 2021 to September 2, 2026. The newest is “Nobody Can Stop Richard Finger (Levity Remix) - Single,” a remix edition credited to Richard Finger & Levity. This establishes a documented sequence of published work; the earliest entry here is a catalog boundary, not a verified career debut.
The captured sequence covers 6 distinct release years. It includes 15 entries explicitly titled as singles, 3 EPs or other multi-track collections, 4 remix editions and 0 DJ mixes. These categories describe catalog packaging, not a count of unique compositions. Alternate versions and repackaged material can appear as separate releases.
“Escapism, Vol. 1” (2024) provides a longer-form reference point, followed later in this sample by “Snack Pack Vol. 1” (2025). Read alongside the singles, this suggests a catalog built around both individual tracks and larger listening projects.
Shared artist-credit lines appear on 9 captured entries. Richard Finger & Levity is credited on 1 entry, including “Nobody Can Stop Richard Finger (Levity Remix) - Single” (2026). GRiZ & Levity is credited on 1 entry, including “Pop Off - Single” (2026). Levity & NITTI is credited on 1 entry, including “Like This - Single” (2025). A shared collection credit can represent a collaboration, remix or another credited role; it is not proof that every credited artist co-produced every track.
The rights line on “Nobody Can Stop Richard Finger (Levity Remix) - Single” reads “℗ 2026 Deadbeats.” An earlier reference, “Paradise - Single” (2021), lists “℗ 2021 Electric Hawk Records.” Rights credits identify the release’s published ownership or licensing context. They do not by themselves establish an exclusive label signing, management relationship or personal endorsement.
The sample contains 5 entries dated within the 365 days ending September 24, 2026, compared with 5 in the preceding 365-day interval. Recent reference points include “Pop Off - Single” (February 11, 2026); “Neon Soul - Single” (May 15, 2026); “Nobody Can Stop Richard Finger (Levity Remix) - Single” (September 2, 2026). Counts reflect this captured catalog, so they should not be read as a complete production total or a measured change in popularity.
Levity has several recent catalog entries to evaluate as a connected release cycle. The next meaningful test is whether attention persists across subsequent releases, rather than concentrating on one title. Repeat listener measurements, independent DJ support and comparable live-demand evidence would distinguish sustained scene traction from release frequency alone.
This dossier uses public catalog records, artist and promoter profiles, and cited reporting. It is independent music analysis. Catalog history is a bounded sample: its first entry is not necessarily a debut, and alternate editions are not unique compositions. Shared credits do not establish each person’s production role. Release frequency does not measure popularity. Biographical statements retain their source attribution; editorial interpretation is labeled.