HVDES is listed by Insomniac in Dubstep. The artist’s public profile lists Los Angeles as its location. HVDES’s captured release history contains 41 dated entries, spanning November 15, 2017 to August 28, 2026. The newest is “Point of No Return - Single,” a single credited to HVDES & Space Wizard. This establishes a documented sequence of published work; the earliest entry here is a catalog boundary, not a verified career debut.
Shared artist-credit lines appear on 18 captured entries. HVDES & CRaymak is credited on 2 entries, including “Never Be Gold - Single” (2024). HVDES & Space Wizard is credited on 1 entry, including “Point of No Return - Single” (2026). HVDES & Hostage Situation is credited on 1 entry, including “No Mercy - Single” (2026). A shared collection credit can represent a collaboration, remix or another credited role; it is not proof that every credited artist co-produced every track. The rights line on “Point of No Return - Single” reads “℗ 2026 HVDES / Create Music Group Inc..” An earlier reference, “F**k My Nose Up - Single” (2017), lists “℗ 2017 & HVDES.” Rights credits identify the release’s published ownership or licensing context. They do not by themselves establish an exclusive label signing, management relationship or personal endorsement.
HVDES’s captured release history contains 41 dated entries, spanning November 15, 2017 to August 28, 2026. The newest is “Point of No Return - Single,” a single credited to HVDES & Space Wizard. This establishes a documented sequence of published work; the earliest entry here is a catalog boundary, not a verified career debut.
The captured sequence covers 10 distinct release years. It includes 35 entries explicitly titled as singles, 1 EPs or other multi-track collections, 4 remix editions and 1 DJ mixes. These categories describe catalog packaging, not a count of unique compositions. Alternate versions and repackaged material can appear as separate releases.
“How To Kill A God” (2024) provides a longer-form reference point. Read alongside the singles, this suggests a catalog built around both individual tracks and larger listening projects.
Shared artist-credit lines appear on 18 captured entries. HVDES & CRaymak is credited on 2 entries, including “Never Be Gold - Single” (2024). HVDES & Space Wizard is credited on 1 entry, including “Point of No Return - Single” (2026). HVDES & Hostage Situation is credited on 1 entry, including “No Mercy - Single” (2026). A shared collection credit can represent a collaboration, remix or another credited role; it is not proof that every credited artist co-produced every track.
The rights line on “Point of No Return - Single” reads “℗ 2026 HVDES / Create Music Group Inc..” An earlier reference, “F**k My Nose Up - Single” (2017), lists “℗ 2017 & HVDES.” Rights credits identify the release’s published ownership or licensing context. They do not by themselves establish an exclusive label signing, management relationship or personal endorsement.
The sample contains 6 entries dated within the 365 days ending September 24, 2026, compared with 6 in the preceding 365-day interval. Recent reference points include “The Sunken Cathedral - Single” (June 5, 2026); “Hide and Seek - Single” (July 31, 2026); “Point of No Return - Single” (August 28, 2026). Counts reflect this captured catalog, so they should not be read as a complete production total or a measured change in popularity.
HVDES has several recent catalog entries to evaluate as a connected release cycle. The next meaningful test is whether attention persists across subsequent releases, rather than concentrating on one title. Repeat listener measurements, independent DJ support and comparable live-demand evidence would distinguish sustained scene traction from release frequency alone.
This dossier uses public catalog records, artist and promoter profiles, and cited reporting. It is independent music analysis. Catalog history is a bounded sample: its first entry is not necessarily a debut, and alternate editions are not unique compositions. Shared credits do not establish each person’s production role. Release frequency does not measure popularity. Biographical statements retain their source attribution; editorial interpretation is labeled.