Evol Intent’s place in the drum & bass field is grounded in a long-running recorded identity and a catalog that includes both original work and reinterpretation. Offworld Trenches and the later Where’s the Score remix lineage provide different views of that practice. EDM30 values the continuity of a specialist project whose music can have a life across several release contexts. The artist’s chart significance includes the relationship between an established body of work and its continuing circulation within the scene.
A remix gives earlier material another setting and allows a different creative perspective to enter the history of a record. That exchange is a meaningful part of the project’s trajectory. EDM30’s placement recognizes a developed drum & bass identity with a continuing role in the genre’s repertoire. Evol Intent contributes to the chart as an example of catalog depth within specialist electronic music, where records and their later versions connect different periods of production activity into an ongoing musical conversation.
Evol Intent’s captured release history contains 41 dated entries, spanning February 23, 2004 to June 14, 2024. The newest is “Where's the Score (Evol Intent Remix, KILL SAFARI REREMIX) [feat. Hidden65 & Slacknote] - Single,” a remix edition credited to Kill the Noise, Bro Safari & Evol Intent. This establishes a documented sequence of published work; the earliest entry here is a catalog boundary, not a verified career debut.
The captured sequence covers 18 distinct release years. It includes 27 entries explicitly titled as singles, 9 EPs or other multi-track collections, 5 remix editions and 0 DJ mixes. These categories describe catalog packaging, not a count of unique compositions. Alternate versions and repackaged material can appear as separate releases.
“8 Bit Bitch / The Way - EP” (2005) provides a longer-form reference point, followed later in this sample by “Revolt - EP” (2016). Read alongside the singles, this suggests a catalog built around both individual tracks and larger listening projects.
Shared artist-credit lines appear on 9 captured entries. Evol Intent & Gein is credited on 2 entries, including “Science / Scavenger's Paradize - Single” (2016). Kill the Noise, Bro Safari & Evol Intent is credited on 1 entry, including “Where's the Score (Evol Intent Remix, KILL SAFARI REREMIX) [feat. Hidden65 & Slacknote] - Single” (2024). Evol Intent, UFO! & Nerd Rage is credited on 1 entry, including “Offworld Trenches - Single” (2022). A shared collection credit can represent a collaboration, remix or another credited role; it is not proof that every credited artist co-produced every track.
The rights line on “Where's the Score (Evol Intent Remix, KILL SAFARI REREMIX) [feat. Hidden65 & Slacknote] - Single” reads “℗ 2024 Evol Intent Recordings.” An earlier reference, “7 Angels with 7 Plagues / Corrupt Cops (feat. Pish Posh) - Single” (2004), lists “℗ 2004 Barcode Recordings.” Rights credits identify the release’s published ownership or licensing context. They do not by themselves establish an exclusive label signing, management relationship or personal endorsement.
The sample contains 0 entries dated within the 365 days ending September 24, 2026, compared with 0 in the preceding 365-day interval. The latest dated reference remains “Where's the Score (Evol Intent Remix, KILL SAFARI REREMIX) [feat. Hidden65 & Slacknote] - Single” (June 14, 2024). Counts reflect this captured catalog, so they should not be read as a complete production total or a measured change in popularity.
For Evol Intent, this catalog is most useful as historical context. A later confirmed release, current performance record or sustained audience series would materially change the trajectory assessment. An older catalog endpoint is not evidence of retirement or inactivity.
This dossier uses public catalog records, artist and promoter profiles, and cited reporting. It is independent music analysis. Catalog history is a bounded sample: its first entry is not necessarily a debut, and alternate editions are not unique compositions. Shared credits do not establish each person’s production role. Release frequency does not measure popularity. Biographical statements retain their source attribution; editorial interpretation is labeled.