Artist profile · EDM30 editorial

Dead X

Biography, musical identity, release history and the context behind the chart.

Artist dossier · public-source analysis

The artist. The work. The case.

1 min read · Updated Sep 24, 2026

EDM30 assessment

Dead X is listed by Insomniac in Hard Dance. The latest release in the captured catalog is “ON THE FLOOR - Single,” dated September 4, 2026. Spotify displayed 200.3K monthly listeners on September 8, 2026. This is a platform audience snapshot, not a total fan count.

The strongest supported account of Dead X in this edition is the artist and scene record cited here. A dated sequence of releases and independent reception would support a more precise account of career development.

01 · Background & formation
02 · Audience & reach
Documented record

Spotify displayed 200.3K monthly listeners on September 8, 2026. This is a platform audience snapshot, not a total fan count.

03 · Analyst outlook
Analytical judgment

The strongest supported account of Dead X in this edition is the artist and scene record cited here. A dated sequence of releases and independent reception would support a more precise account of career development.

04 · Documented work
Documented record

The latest release in the captured catalog is “ON THE FLOOR - Single,” dated September 4, 2026.

Chart standing · #16 in Hard Dance

Read the documented career evidence alongside this provisional editorial position.

This board considers hard-dance scene standing, specialist support, current music and performance demand.

EDM30 editorial placement

Chart review · 2026-09-24

Retain provisionally; no automatic movement from incomplete or historical measurements.

Ranking basis: EDM30 editorial assessment. Audience reference: 200.3K Spotify monthly listeners, captured 2026-09-08.

Review the position’s source record ↗
Sources & analytical limits

This dossier uses public catalog records, artist and promoter profiles, and cited reporting. It is independent music analysis. Catalog history is a bounded sample: its first entry is not necessarily a debut, and alternate editions are not unique compositions. Shared credits do not establish each person’s production role. Release frequency does not measure popularity. Biographical statements retain their source attribution; editorial interpretation is labeled.