Boxplot’s Upstate New York connection places the project within a regional US drum & bass context, while Rose Tint and Loving, Loathing provide concrete later chapters in the release history. EDM30 values the development of a recognizable producer identity through a continuing catalog. The artist’s place on the board is grounded in that specialist body of work, giving listeners a project they can follow through successive records rather than a public image detached from the music.
The career’s trajectory is most clearly expressed in the relationship between those releases and the wider catalog around them. Individual songs become part of an accumulating artistic statement as the project develops. EDM30’s placement recognizes that sustained production presence within drum & bass. Boxplot contributes a distinct artist name and body of work to the American field, helping broaden the range of projects through which listeners can encounter the genre and follow its development outside the most immediately visible festival-facing acts.
Boxplot’s captured release history contains 21 dated entries, spanning September 9, 2013 to October 10, 2025. The newest is “Loving, Loathing - Single,” a single credited to Boxplot, Coben & Spaces. This establishes a documented sequence of published work; the earliest entry here is a catalog boundary, not a verified career debut.
The captured sequence covers 9 distinct release years. It includes 17 entries explicitly titled as singles, 3 EPs or other multi-track collections, 1 remix editions and 0 DJ mixes. These categories describe catalog packaging, not a count of unique compositions. Alternate versions and repackaged material can appear as separate releases.
“Journey - EP” (2013) provides a longer-form reference point, followed later in this sample by “Here & Now” (2022). Read alongside the singles, this suggests a catalog built around both individual tracks and larger listening projects.
Shared artist-credit lines appear on 6 captured entries. Boxplot, Coben & Spaces is credited on 1 entry, including “Loving, Loathing - Single” (2025). Maduk & Boxplot is credited on 1 entry, including “Bringing Me Down (Boxplot Remix) - Single” (2023). Boxplot & Amaryllis is credited on 1 entry, including “Speaking in Tongues - Single” (2022). A shared collection credit can represent a collaboration, remix or another credited role; it is not proof that every credited artist co-produced every track.
The rights line on “Loving, Loathing - Single” reads “℗ 2025 Liquicity Records.” An earlier reference, “Journey - EP” (2013), lists “℗ 2013 DNBR Records.” Rights credits identify the release’s published ownership or licensing context. They do not by themselves establish an exclusive label signing, management relationship or personal endorsement.
The sample contains 1 entries dated within the 365 days ending September 24, 2026, compared with 2 in the preceding 365-day interval. Recent reference points include “Loving, Loathing - Single” (October 10, 2025). Counts reflect this captured catalog, so they should not be read as a complete production total or a measured change in popularity.
The latest dated work gives Boxplot a current reference point, but the sample supports a narrower conclusion about output than about career acceleration. Watch how the next releases relate to “Loving, Loathing - Single”: continuation of the same sound or collaborators would suggest consolidation; a documented shift in collaborators or project format could signal a new phase.
This dossier uses public catalog records, artist and promoter profiles, and cited reporting. It is independent music analysis. Catalog history is a bounded sample: its first entry is not necessarily a debut, and alternate editions are not unique compositions. Shared credits do not establish each person’s production role. Release frequency does not measure popularity. Biographical statements retain their source attribution; editorial interpretation is labeled.