Awakend is listed by Insomniac in Future Bass. The artist’s public profile lists Minneapolis as its location. Awakend’s captured release history contains 29 dated entries, spanning October 23, 2017 to February 6, 2026. The newest is “Real - Single,” a single credited to Super8 & Tab, Awakend & Cartouche. This establishes a documented sequence of published work; the earliest entry here is a catalog boundary, not a verified career debut.
Shared artist-credit lines appear on 20 captured entries. Awakend & Cece Mix is credited on 2 entries, including “Feel the Same (Mazare & SYNTHYA Remix) - Single” (2022). Awakend & Kait Weston is credited on 2 entries, including “Take Me Away (Remixes) - Single” (2021). Super8 & Tab, Awakend & Cartouche is credited on 1 entry, including “Real - Single” (2026). A shared collection credit can represent a collaboration, remix or another credited role; it is not proof that every credited artist co-produced every track. The rights line on “Real - Single” reads “℗ 2026 Armada Music B.V. under exclusive license from Flashover Recordings B.V..” An earlier reference, “A Moment in Time - Single” (2017), lists “℗ 2017 Hegemon Select / Indie Select.” Rights credits identify the release’s published ownership or licensing context. They do not by themselves establish an exclusive label signing, management relationship or personal endorsement.
Awakend’s captured release history contains 29 dated entries, spanning October 23, 2017 to February 6, 2026. The newest is “Real - Single,” a single credited to Super8 & Tab, Awakend & Cartouche. This establishes a documented sequence of published work; the earliest entry here is a catalog boundary, not a verified career debut.
The captured sequence covers 10 distinct release years. It includes 22 entries explicitly titled as singles, 2 EPs or other multi-track collections, 4 remix editions and 1 DJ mixes. These categories describe catalog packaging, not a count of unique compositions. Alternate versions and repackaged material can appear as separate releases.
“Memories from Another Life - EP” (2021) provides a longer-form reference point, followed later in this sample by “The Way Through - EP” (2022). Read alongside the singles, this suggests a catalog built around both individual tracks and larger listening projects.
Shared artist-credit lines appear on 20 captured entries. Awakend & Cece Mix is credited on 2 entries, including “Feel the Same (Mazare & SYNTHYA Remix) - Single” (2022). Awakend & Kait Weston is credited on 2 entries, including “Take Me Away (Remixes) - Single” (2021). Super8 & Tab, Awakend & Cartouche is credited on 1 entry, including “Real - Single” (2026). A shared collection credit can represent a collaboration, remix or another credited role; it is not proof that every credited artist co-produced every track.
The rights line on “Real - Single” reads “℗ 2026 Armada Music B.V. under exclusive license from Flashover Recordings B.V..” An earlier reference, “A Moment in Time - Single” (2017), lists “℗ 2017 Hegemon Select / Indie Select.” Rights credits identify the release’s published ownership or licensing context. They do not by themselves establish an exclusive label signing, management relationship or personal endorsement.
The sample contains 1 entries dated within the 365 days ending September 24, 2026, compared with 2 in the preceding 365-day interval. Recent reference points include “Real - Single” (February 6, 2026). Counts reflect this captured catalog, so they should not be read as a complete production total or a measured change in popularity.
The latest dated work gives Awakend a current reference point, but the sample supports a narrower conclusion about output than about career acceleration. Watch how the next releases relate to “Real - Single”: continuation of the same sound or collaborators would suggest consolidation; a documented shift in collaborators or project format could signal a new phase.
This dossier uses public catalog records, artist and promoter profiles, and cited reporting. It is independent music analysis. Catalog history is a bounded sample: its first entry is not necessarily a debut, and alternate editions are not unique compositions. Shared credits do not establish each person’s production role. Release frequency does not measure popularity. Biographical statements retain their source attribution; editorial interpretation is labeled.